
A judge on Friday denied director Farhad Safinia‘s request to seize and destroy a producer’s cut of “The Professor and the Madman,” the Mel Gibson film about the Oxford English Dictionary.
Safinia says he was thrown off the film after Voltage Pictures refused his request to shoot five additional days at Oxford University. He filed a lawsuit accusing Voltage of defamation and copyright infringement, and asked for a restraining order to block Voltage from shopping the film to distributors.
But in her ruling Friday, Judge Consuelo Marshall rejected the request, saying Safinia had not demonstrated a likelihood of prevailing on the merits of the dispute. Safinia claims that he owns the copyright to the September 2016 version of the screenplay, and that he never subsequently assigned the rights to Voltage.
Related Stories
VIP+Why the Video Game Industry Can’t Shake Its Struggles

Colin Farrell Wore a Penis Prosthetic for 'The Penguin' Premiere's Torture Scene: 'They Were Kind Enough to Make Oz Anatomically Correct'
Voltage counters that Safinia had already given up his copyright to earlier drafts of the film’s screenplay under a “work made for hire” agreement, and that the September 2016 draft was nothing more than a polish of the earlier script. Voltage also notes that Safinia did not own the rights to the book on which the screenplay was based, and therefore cannot claim an independent copyright.
Popular on Variety
Marshall also ruled that Safinia is unlikely to suffer irreparable harm if the restraining order is not granted.
“Plaintiff has not provided sufficient evidence that he will suffer harm to his reputation simply because he is identified as the screenwriter and director of the film in various promotional materials,” Marshall wrote. “Nor does Plaintiff provide any evidence that the value of his screenplay will diminish if Defendants are not enjoined immediately. Defendants have not finished editing the film and do not anticipate distribution before the end of 2017.”
Gibson filed suit against Voltage in July, alleging that the producer had violated its agreement by denying him final cut. Voltage argues that Gibson and Safinia walked away from the project after Voltage CEO Nicolas Chartier refused to shoot additional scenes at Oxford. Chartier says the film was already behind schedule and over budget, and the extra shooting days would have added $2.5 million to the cost of the $25 million film.
Chartier urged the judge not to issue a restraining order, saying that doing so would make it impossible to distribute the film and could cause the financiers to lose their $25 million investment.
Read More About:
Jump to CommentsMore from Variety

1982 Milwaukee Brewers Documentary ‘Just a Bit Outside’ Pacts With Marcus Theatres for Limited Wisconsin Run

Netflix vs. YouTube: The Post-Streaming Wars Era’s Archrivalry

Oscar Winner Daniel Roher Talks Nat Geo Doc ‘Blink,’ About a Family Who Travels the World After Life-Altering News

Documentary Festival IDFA to Fete Belgian Artist, Filmmaker Johan Grimonprez

What Film Fund From AI Startup Runway Means for Content’s Future

‘Born Innocent: The Redd Kross Story’ Documentary Acquired by Abramorama (EXCLUSIVE)
Most Popular
Luke Bryan Reacts to Beyoncé’s CMA Awards Snub: ‘If You’re Gonna Make Country Albums, Come Into Our World and Be Country With…

Donald Glover Cancels 2024 Childish Gambino Tour Dates After Hospitalization: ‘I Have Surgery Scheduled and Need Time Out to Heal’

‘Joker 2’ Ending: Was That a ‘Dark Knight’ Connection? Explaining What’s Next for Joaquin Phoenix’s Joker

‘Love Is Blind' Creator Reveals Why They Didn’t Follow Leo and Brittany After Pods, if They'll Be at Reunion (EXCLUSIVE)

Rosie O'Donnell on Becoming a 'Big Sister' to the Menendez Brothers, Believes They Could Be Released From Prison in the ‘Next 30 Days’

‘That ’90s Show’ Canceled After Two Seasons on Netflix, Kurtwood Smith Says: ‘We Will Shop the Show’

Have We Reached Ryan Murphy Overload?

Dakota Fanning Got Asked ‘Super-Inappropriate Questions’ as a Child Actor Like ‘How Could You Have Any Friends?’ and Can ‘You Avoid Being a Tabloid…

Why Critically Panned ‘Joker 2’ Could Still Be in the Awards Race for Lady Gaga and Joaquin Phoenix

Coldplay’s Chris Martin Says Playing With Michael J. Fox at Glastonbury Was ‘So Trippy’: ‘Like Being 7 and Being in Heaven…

Must Read
- Film
COVER | Sebastian Stan Tells All: Becoming Donald Trump and Starring in 2024’s Most Controversial Movie
By Andrew Wallenstein 2 weeks
- TV
Menendez Family Slams Netflix’s ‘Monsters’ as ‘Grotesque’ and ‘Riddled With Mistruths’: ‘The Character Assassination of Erik and Lyke Is Repulsive…

- TV
‘Yellowstone’ Season 5 Part 2 to Air on CBS After Paramount Network Debut

- TV
50 Cent Sets Diddy Abuse Allegations Docuseries at Netflix: ‘It’s a Complex Narrative Spanning Decades’ (EXCLUSIVE)

- Shopping
‘Deadpool & Wolverine’ Sets Digital and Blu-ray/DVD Release Dates

Sign Up for Variety Newsletters
By providing your information, you agree to our Terms of Use and our Privacy Policy.We use vendors that may also process your information to help provide our services. // This site is protected by reCAPTCHA Enterprise and the Google Privacy Policy and Terms of Service apply.Variety Confidential
ncG1vNJzZmiukae2psDYZ5qopV9nfXKDjpugs2eemsS0e8mum6CdXaeyq7HCrapmoZ6fwq%2Bv06Kmp2Wgp7ynsdKspqtlkaOxbsDHnmSmmZSirq95zJ6jZp%2BZl8CwuoxqaWlqZWuDeX%2BUaA%3D%3D